The first full-length album by Nulis, a one-woman project from northern Poland combining neoclassical dark wave, ambient and film music.
€ 6,99
Nulis
Compact Disc (CD)
01. I 02. II 03. III 04. IV 05. V 06. VI 07. VII 08. VIII
Sound Track, part of Menhir’s Desert Series is inspired by the Sahara desert and the saharaui refugee camps. It is the soundtrack of the documentary “My first life”, by the Mexican filmmaker Carlos Hernández. The film describes the birth and first days of a child in the camps. The music is composed with analog synths, voices, and electric guitars, mixed with medieval cellos and sandstorms, in 6 music pieces of ritual ambient. Recorded live in the studio, it’s music conceived to overflow the inside-out. A song that is a message, dream wrapped. The changeless time, pulling us as sandstorms. The possible sun and light.
Based on the story of an ancient Breton city swallowed by the sea, Alan Morse Davies’ takes us on a journey both turbulent and quiet.
Using a number of lilting, jazz-inflected chord progressions sampled on acoustic guitar by long-term collaborate Il Bradipo as a canvas, this is the most clearly structured Goodparley record to date. Collecting more expressive improvised guitar melodies and juxtaposing them with long-form drone pieces, this record contains wistfulness, nostalgia and moments of wonder. A more colourful palette than previous records, Canvas draws on the separate whimsical styles of F.S. Blumm and the lo-fi community, with sporadic bursts of experimental delay work explored on previous Goodparley releases. The guitar pieces here present a fractured memory space, whilst the ambients slip into the realm of dreams. Sometimes the two intersect and bridge, sometimes they stand apart, together. This is, of course, only one reading of the music within. This record is a canvas, not quite blank, presented to you with space for whatever you bring to it.
Hibernation hymns for an endless winter